There exists an intersection of flatness and depth on her canvases. Viewers may feel disconcerted to see three-dimensional masses running into lines that traverse the flat plane. These two art historically antipodal forms nonchalantly faunt themselves, manifesting a surrealist feel. Meanwhile, Jang’s paintings on wooden panel are distinct from canvas productions. The brush strokes are smooth, zoomy, and chromatically more vivid on the fine hard surface.